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Hi everyone,

I’m very happy to say that I’ve just had my debut novel published and would love to swap thoughts and opinions on what makes a compelling read. With this in mind, what do you think attracts a potential reader? Would it be the front cover like mine below or is it more likely to be on the strength of the synopsis? Just how important is the cover art and what really determines our decision to invest the time to actually sit down and read a book? As a new author, I feel these questions are very important, so any insights you can give will be greatly appreciated. It may help me not to make the same mistakes if I ever get around to writing another one! Smile

http://img150.imageshack.us/my.php?image=magiclandsamazonfe8.jpg
 
Posts: 16 | Location: London | Registered: 07-07-07Reply With QuoteEdit or Delete MessageReport This Post
Diamond
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The cover art would be appealing to young teens, I would think. Is the story aimed at that market?
 
Posts: 6596 | Location: British Columbia, Canada | Registered: 06-11-02Reply With QuoteEdit or Delete MessageReport This Post
Diamond
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The aspect of a story that attracts me the most is a story about something I've never thought of before or considered. Or even just something that's new and hasn't been written about, or written in such a way, can accumulate enough interest. So it's all in the idea. I like high-concept stuff a lot. I think most popular-fiction readers do too.

Are those two boys in the center the Hardy boys, by any chance? The Hardy boys just happen to wear the same color clothes.
 
Posts: 6529 | Location: Grayson, Georgia, USA | Registered: 06-03-02Reply With QuoteEdit or Delete MessageReport This Post
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Hi,

Thank for your replies. It's funny you should mention the Hardy boys as someone else said that too. Unfortunately, I had no idea and if I had known I would have asked for it to be changed. We live and learn I guess!
To give you a better idea of what the book is about I've posted a synopsis and a short excerpt at this link: http://hometown.aol.co.uk/markjohnhockley/myhomepage/mywork.html
If you get a chance to check it out, it would be great to get some feedback.

Thanks again for taking the time to respond.
 
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Diamond
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Well, it scared me! Eek
 
Posts: 6596 | Location: British Columbia, Canada | Registered: 06-11-02Reply With QuoteEdit or Delete MessageReport This Post
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quote:
Originally posted by babthrower:
Well, it scared me! Eek


Is that a good thing or a bad thing!?

Did you like it? I hope so!!
 
Posts: 16 | Location: London | Registered: 07-07-07Reply With QuoteEdit or Delete MessageReport This Post
Diamond
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"Had began" and "Heart of Darkness" jump out at me. Is the first grammatical? And does the second smack of plagiarism?

If you can scare a woman who lives with bears in the wilds of British Columbia, I'm impressed. Wink
 
Posts: 7143 | Location: Baltimore, MD, U.S.A | Registered: 06-03-02Reply With QuoteEdit or Delete MessageReport This Post
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"If you can scare a woman who lives with bears in the wilds of British Columbia, I'm impressed."

That was my thought, too, Frank.
 
Posts: 17549 | Location: Lincoln Place, Granite City, IL, USA | Registered: 06-03-02Reply With QuoteEdit or Delete MessageReport This Post
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quote:
Originally posted by frankvan:
"Had began" and "Heart of Darkness" jump out at me. Is the first grammatical? And does the second smack of plagiarism?

If you can scare a woman who lives with bears in the wilds of British Columbia, I'm impressed. Wink


Not sure about the first point, could be that it should read 'had begun' but may be just a British/American difference. Hopefully it doesn't detract too much. The second reference is a deliberate one.

Thanks for taking an interest though. It's great to get feedback and sometimes it helps me to think about things that maybe I hadn't really considered.
 
Posts: 16 | Location: London | Registered: 07-07-07Reply With QuoteEdit or Delete MessageReport This Post
Diamond
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Speaking of bears, I head the most amazing story yesterday from my neighbor. Last week a man heard the most terrible commotion -- snarls, screams, crashing of bushes -- and he was afraid to approach. There is a disused water tower near the powerline (where the noise came from) so he grabbed his binoc's and climbed it. He was astonished to see a bear fighting with a cougar!

I have never heard of such a thing. The only explanation I can imagine is that the cougar had taken a deer down (the locals are blacktails, they're not very big) and the bear wanted it.

Have you ever heard anything like it?

Here are pictures of a bear helping himself to our red plums last October.
Plumthief.
I said, "Oh feel free to take as many as you want", as I snapped the photo. Then I ran like hell.
Same bear, reaching up to pick a pear.
This is what bears did to our bartlett pear the year before. They were climbing up for the last of the fruit at the top.

MJOHN, it depends on your target market. If it is for pre-teens, I think the critics will find it strong stuff and not suggest schools and libraries bring it in, or recommend it in book reviews.

However if it's for older teens, they love that stuff, don't they?
 
Posts: 6596 | Location: British Columbia, Canada | Registered: 06-11-02Reply With QuoteEdit or Delete MessageReport This Post
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Hi,

I'm in awe of your bears! I'm in the UK and we just don't see things like that.

My book is deinitely unsuitable for anyone under eleven or so, as it's far too dark. I was hoping for teenagers and adults who still enjoy the kind of fantasy tales they admired as kids, but now want it with a bit more edge. That was what I was trying to achieve. Only the reader can decide whether I've succeeded or not. What I need is more readers! Smile
 
Posts: 16 | Location: London | Registered: 07-07-07Reply With QuoteEdit or Delete MessageReport This Post
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Just to let anyone know who may be interested that I've added another excerpt from my book The Magic Lands at this link: http://hometown.aol.co.uk/markjohnho...ge/mywork.html

As always, feedback would be very much appreciated.
 
Posts: 16 | Location: London | Registered: 07-07-07Reply With QuoteEdit or Delete MessageReport This Post
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Hi everyone,

I hope you will forgive me for getting all excited and letting you know about my first official review for The Magic Lands. You can find it here: http://www.enchantedentertainment.co.uk/book-news-revie...nds-by-mark-hockley/
Of course, I hope it will help to encourage you to rush out and get a copy of the book!
 
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Diamond
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Very favorable review. Good luck on sales, as you know publicity is expensive!

I don't object to your pitch on this site. At least we were in at the start, when you asked us what we thought. That was clearly your original goal -- feedback.

Again -- good luck. Smile
 
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Just never let that reviewer become your editor.
 
Posts: 17549 | Location: Lincoln Place, Granite City, IL, USA | Registered: 06-03-02Reply With QuoteEdit or Delete MessageReport This Post
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Thanks guys. I hear what you're saying Smile But thanks again for being supportive.
 
Posts: 16 | Location: London | Registered: 07-07-07Reply With QuoteEdit or Delete MessageReport This Post
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For anyone interested there are a number of mini reviews of The Magic Lands on Amazon.co.uk It would be great to hear from some readers and I'm always happy to answers questions if anyone has one!
 
Posts: 16 | Location: London | Registered: 07-07-07Reply With QuoteEdit or Delete MessageReport This Post
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As a small thank you for all of the support I've had here, I thought I would post an excerpt from a work in progress, which hopefully will end up being my next book. This is only a rough version, so jump all over me, but constructive criticism is always a good thing. It's called THE SHADOW OF THE ROSE and it's another fantasy novel in a similar vein to THE MAGIC LANDS. Of course for some this may be a punishment rather than a treat! Smile


He had noticed that the temperature had been gradually dropping and it was becoming quite cold, which was quite ironic as most of the children referred to this place as the hothouse, so at least Mr. Pinchbeck had done his job successfully in that regard. Encouraged by this, he resolved to wait a little while longer, speculating that perhaps the task of convincing The Headmaster to come was taking slightly longer than had been anticipated.
From the far end of the greenhouse, there was a rustling sound and Martin ducked down instinctively, his eyes and ears immediately alert.
Now that he might very well be about to come face to face with The Headmaster, the prospect intimidated him to such a degree that he broke out in a cold sweat, but then the idea surfaced in his mind that there was always the possibility that it could be someone even more undesirable creeping about in the undergrowth, and this made him even more uneasy as he waited for whoever was lurking there to show themselves.
"Martin," whispered a voice suddenly from somewhere to his left and he strained his ears, trying to recognise who it could be. "Martin, are you here? It's me, Jo!"
He stood up, scanning the vegetation and saw a figure making toward him. He realised then just how dim the light had become, the girl almost unrecognisable until she was within ten feet or so and the idea of turning on the lights briefly passed through his mind, but the surprise of seeing Jo soon made him forget about everything but why she was there.
"What are you doing here?" he said in a tone that said he was very relieved it was her.
"I didn't mean to sca...creep up on you," she said, not wanting to offend him by suggesting he was afraid. But the truth was she found it hard to believe that anyone would not be frightened waiting here alone, crowded in by masses of plant life, the place so dark she had almost tripped over making her way through the aisles to get to him. Stacks of empty crates littered the vast greenhouse and unused flowerpots were everywhere, the place surprisingly cluttered and untidy.
"It's all right," he replied with an awkward smile, "but why did you come, I mean, I'm glad you did, but what's happened? Has something gone wrong?"
Jo's grave look told him that something was indeed wrong and he moved closer to her, concerned at the distress he saw in her frightened eyes.
"There was nothing in The Headmaster's files, just blank pages," she blurted out quickly. "And Peter's hurt his leg, falling down the stairs when we were chased, or at least we think we were chased. Someone found us in the office anyway, The Headmaster I suppose and we ran, that's when Peter fell. Then we saw the note in Mr. Welles...I mean Mr. Pinchbeck's room and it said you were in danger, so I came to get you." She finished and looked at him with an odd expression that said ‘I hope that made sense’ and Martin nodded instinctively, understanding without having to be told. Jo gave him a grateful smile. "Anyway, I think we had better get out of here," she added, Mr. Welles' warning foremost in her mind.
"All right," Martin agreed, "but hold on a minute, just let me get something." Saying this, he quickly walked a few feet to his left and plucked one of the yellow flowers he had been admiring earlier and then nervously turned back to face Jo. "I thought you might like this," he said very softly, barely able to maintain eye contact.
Jo blushed but smiled with quiet pleasure. "Thank you," she murmured, wishing she could think of more to say, but she suddenly found herself tongue-tied.
As the boy stepped forward to hand her the rose, there was a clattering noise from their right and Martin stopped in his tracks, eyeing Jo with alarm. Whoever it might be, he realised immediately that they mustn't discover her here with him, as that would certainly be seen as a serious violation of the all important rules of this wretched institution. "You have to hide," he hissed urgently and glancing about in desperation his eye fell upon a large crate. "Quickly, get inside," he whispered to her, pointing at the wooden box and without really thinking Jo followed his instructions, clambering clumsily in and squatting down.
Grabbing hold of another crate, Martin stacked it on top leaving Jo in darkness with only the smallest of slits to let in what little light there was and she pushed her eye up against this gap so that she might be able to see what was going on outside.
As she watched from her uncomfortable, cramped position, a terrible scene began to play itself out before her, like some grotesque peepshow.
"So here you are, Martin, my little friend," said a voice, but Jo could only see the boy's reaction and not the speaker, but this was enough to tell her that whoever was there with him, Martin was very much afraid. "Well, aren't you going to say hello?" another voice asked good humouredly, but Jo recognised the note of sarcasm in it and she squirmed to see who was out there. Two hulking figures ambled into view to stand before the boy and Jo had to bite her lip not to let out a cry.
"I think he's nervous," Joshua Snipe said with a slow shake of his head, the grin he wore making him look very much like a Halloween pumpkin.
"Maybe he's got reason to be," returned Joseph, rubbing his hands together unpleasantly.
Martin had remained silent until now, his mind racing, trying to come up with some plausible lie about why he was there that would enable him to escape unscathed, but before he could say anything Joseph pointed at him, a wide, malicious smile commandeering his features.
"What's the flower for, nature boy?" he chuckled, "is it a peace offering!?" The two men chortled with amused laughter for a few moments and Martin decided that the only thing he could do was stick to the story Mr. Pinchbeck had originally intended for The Headmaster.
"There's something wrong with the temperature in here," he mumbled, doing his level best to sound self-assured, "Mr. Pinchbeck told me to wait here while he went to get The Headmaster."
Joseph chuckled, the sound without humour and Martin felt a chill creep up his spine. "The Headmaster!? Is that a fact?"
Martin knew he had to choose his words very carefully and hesitated before speaking again. "Everything in here will die if it isn't fixed," he said with as much confidence as he could muster. "You must have noticed how cold it is?"
Joshua was nodding at him solemnly. "Not everything," he stated, his small eyes like black marbles, and when Martin gazed into them all he could see was an utter void, as if the man had no emotions whatsoever, just an unquenchable compulsion to inflict pain and sorrow.
Martin swallowed hard and shuffled his feet uneasily. "What do you mean?"
Joseph just laughed at this, the sound echoing eerily through the greenhouse and Martin knew that his only chance of survival was to run. But before he could act upon this realisation, the Snipes moved closer to him, effectively fencing him in with no way out, as if sensing what he had in mind.
"Only you," Joshua told him with a wink, "you're the only one who's going to die."
Now Martin did try to run, regardless of the fact that he knew it was useless, his instinct for survival overriding all logical thought, but Joseph caught him roughly by his jumper and hauled him to the floor, Martin's head striking the hard ground with a horrible dull sound, the rose crushed and cast aside to lay beside his cheek.
"Chances are you're going to have a nasty headache," Joshua told him off-handedly.
"Right then, master Martin," Joseph began in a businesslike tone, "let's get down to brass tacks. We need some information and you are going to give it to us. I must warn you that we are already rather upset with you, as you have been uncommonly difficult to locate, and we do have a schedule to keep to. But now that we have you, we expect you to do the right thing and tell us what we need to know." He stared down at the boy who lay curled up at his feet, too afraid to move, Martin only distantly aware of the sensation of something thick and viscous trickling through his hair and onto his neck .
"So," continued Joshua, taking up where his brother had left off, "this is how it is. We need to know where those three newcomers are, I'm sure you know who I mean. A boy and two girls. If you help us, maybe we won't have to hurt you quite so much. If not, well, I know you understand quite well what will happen then."
Martin looked up into the faces of his persecutors, but found that instead of men, all he could see were alien creatures, their eyes wide with desire and he understood that everything was lost.
Although he tried very hard not to, he could not help but glance toward the wooden crate where Jo was hiding, wanting so much just to catch a glimpse of her one last time, but she was too well concealed and a part of him that was able to set aside the desperation and despair that gripped him with such hideous strength, took comfort from that.
"Well, boy," prompted Joseph, giving him a kick in the ribs that sent all thoughts of anything but pain fleeing from his mind. "Where are they?"
Gritting his teeth so hard that it would have hurt if it were not for the all-consuming pain in his side, Martin hissed at them. "I don't know. I haven't seen them."
Joshua stepped forward and placed a heavy boot onto the boy's outstretched hand as he reached for the battered rose, hoping to take courage from this symbol of his affection for Jo, and Martin screamed from the agony that shot up his arm as his fingers were crushed with deliberate, slow care.
The man bent down until his face was very close to the boy's and gave a merciless grin. "We know you were with those two girls. You were seen! So come on now, do yourself a favour and tell us where they are. What are they to you anyway?"
Martin's mind was beset by flashing lights, reds and yellows blinking in and out and he did his best to think of any way he might be able to escape, but however hard he tried, his brain steadfastly refused to function properly, as if it too were injured, his hand now almost numb.
"You don't have many more chances," Joseph told him with an air of impatience.
"Just tell us where they're hiding and you can go," Joshua added, affecting a congenial tone of voice. "After all, it's not you that we want, it's them. It really doesn't have to be like this, you know."
Martin closed his eyes, the anguish that he felt almost unbearable and for a moment, fleeting but nonetheless real, he asked himself why he should stay silent, but then somehow finding its way even through the weight of fear and pain, Jo's face appeared in his mind and he saw her smiling at him as he offered her the rose.
Oh Jo, why did this have to happen? Why?
"Go to hell," he whispered, tasting his own tears upon his lips.
With brutal force, Joseph brought his boot down onto Martin's arm, snapping it like a twig, the shriek it provoked reverberating from the canopy of glass above them. "You had your chance," the man grunted and knelt down, putting his full weight onto the boy's chest, several ribs collapsing almost immediately, one puncturing a lung.
Sobbing and struggling for breath, Martin attempted to wriggle free but it was useless, the man's bulk crushing him like an over-ripe piece of fruit, and as consciousness began to drift away from him all he could think of was how this must appear to Jo, who he knew was so close and yet seemed so distant from him, as if she were no more than a dream he had once believed was real.
 
Posts: 16 | Location: London | Registered: 07-07-07Reply With QuoteEdit or Delete MessageReport This Post
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I like the concept very much, but IMO the text needs further editing. For one thing, "Tom argued," "responded," etc. should be replaced with "said", or where only two characters are speaking, can be left out altogether. The reader should be able to tell from the spoken words that Tom is arguing, and from their distinctive voices, who is speaking. Characters' speech should be distinctive - if they sound alike, the reader may be unable to tell them apart - not recommended if you are trying to achieve character identification.

This is from a reading of only a few paragraphs.
 
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Hi catty,

Thanks for taking the time to read it and also for your suggestions Smile
 
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