quote:
Originally posted by Colin, Paris,
Incidentally, how did you find the Proms this year? I know you had tickets for several concerts this time round, but haven't seen you submit any write-ups since the First Night...
Of the half a dozen or so, the first night Elgar cello concerto was
dull. The experts say that this is technically easy to play.So it may be but that doesn't make it easy to
perform 
Most performances lack something. Not everyone approves of Du Pre's first recording of it but she did bring a certain youthful paasion to it without 'hamming it up'.This man's performance played as though he'd learnt the notes and could read the time signatures. That was it.
The Last Night was marked by the performance of a Russian soprano prancing mischievously around the stage flirting and giving flowers to the prommers and the orchestra in mid aria

Very refreshing. It was, as usual, spoiled by the nonsense of having 'national' songs in the sea shanties. 'Tom Bowling' and a hornpipe are not improved by adding a choir singing 'All through the Night' or 'Londonderry Air' to them. This always jars.These 'national' songs were introduced to make the evening less English, apparently. I always thought it was British, not English. The only non-English sentiment in it would be if they sang that bit of the National Anthem about crushing the rebellious Scots

The two highlights for me were 1) the European Youth Orchestra teamed with our youth orchestra to play Sibelius' 5th under Colin Davis.A man in his eighties conducting players in their twenties

They can certainly play ! The whole piece worked beautifully
2) not at the Albert Hall but in that newish hall, the Cadogan. This was a church off Sloane Square and is now converted to a fine venue for chamber and small orchestral works.It was Angela Hewitt [swoon!] playing Bach partitas et al.Can't say that I'm a great fan of Bach but this pianist makes it all work so well.(Her recording of Chopin Nocturnes is one of the best I've ever heard: it's a pity, in a way, that she is such a Bach specialist) It such a nuanced performance, not that you are conscious of the art involved in it.You only notice the art if you listen very carefully to her recordings a few times and have the benefit of her own commentary.
Ars est celare artem could be her motto. Her skill is, indeed, in concealing the skill.She is amusing to watch. She sings along. Happily she does so silently: she's no Glenn Gould

Note: Angela Hewitt has a geriatric fan club

She was in the foyer, to sign copies of her latest cd . The queue of over a hundred was at least 70% over sixty

All her performances are over-subscribed. Her next concert in London is in December and sold out already. She has an enormous work load. Her current tour (this sounds more and more like a rock band

) is something like 150 concerts all over the world.